Thursday, May 27, 2010

[Crónica 051~2010] Mosaique - Shattering Silence 2010

Mosaique - Shattering Silence
Label: Crónica http://www.cronicaelectronica.org
Catalog#: Crónica 051~2010
Format: 14 x File, MP3
Country: Portugal
Released: 24 May 2010
Genre: Electronic
Style: Noise, Abstract, Drone, Experimental, Hardcore, Minimal
Credits: Mastered By - Miguel Carvalhais

Tracklist:
1 Semendia 4:04
2 Axis Tilt 5:52
3 Ithom 12:16
4 Mundo 8:16
5 Typus Und Form 4:24
6 Ropea 9:12
7 Photon Hills 6:40
8 Fissures 10:40
9 Recoil 5:16
10 Tessian 7:20
11 Golden Vertical 6:48
12 Beasts 4:32
13 Gravity And Grace 14:08
14 Sinum 4:00

Following his 2008 release in Crónica, “Filare”, Jan Ferreira presents his new work “Shattering Silence”, 14 tracks totalling over one hundred minutes of music. Once again, Mosaique releases in the Unlimited Series and is available as a free download in either 320kbps MP3 or Apple Lossless formats.

Jan Ferreira is one of the most promising Portuguese new composers of hands-on electronic music, creating his pieces from a limited palette of tools and resources, including the manipulation of feedback, analog synthesis and distortion. His pieces have deep roots in live performance, and that imbues them with a characteristic immediacy and freshness, as traces of his creative touch and direct manipulation are felt throughout the pieces.

“In this release I worked for the first time with analogue synthesis. It was new territory so I spent long time exploring timbres and textures and what especially drew my attention was the "sharpness" of sound as if one could sense its outlines like with forms and shapes. Also how sounds emerged and 'cut' through the air was of special interest to me. After recording the material it was put into composition with emphasis on the effect of layering certain sounds (and hence what depth or sense of contrast they create) and the feeling of change that occurs when the "sound scenery" shifts. The composition then was more a frame in which these things were allowed to occur (especially in the more abstract pieces) than a linear narrative. All this is also based on a general visual quality that sound conveys to me.”

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